Tess, Owl Eyes Staff "He said that after the wall-paper was changed it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs, and so on. From the beginning, we see that the narrator is an imaginative, highly expressive woman.
Her husband fails to provide her with accurate treatment and stifles her only creative outlet. The narrator, in turn, must write in secret.
He says that with my imaginative power and habit of story-making, a nervous weakness like mine is sure to lead to all manner of excited fancies, and that I ought to use my will and good sense to check the tendency Sinead, Owl Eyes Contributor.
Each time she poses this question, the narrator cannot come up with an answer. However, her husband disapproves of this practice and chastises her whenever he sees her writing. Both her reason and her emotions rebel at this treatment, and she turns her imagination onto seemingly neutral objects—the house and the wallpaper—in an attempt to ignore her growing frustration.
An odd detail at the end of the story reveals how much the narrator has sacrificed. In other instances, she will abruptly end a sentence by imagining how John would dismiss her.
Similarly, the narrator fights the realization that the predicament of the woman in the wallpaper is a symbolic version of her own situation. She has untangled the pattern of her life, but she has torn herself apart in getting free of it. Her husband is very controlling in the enforcement of her treatment, preventing her voice from being heard.
This pattern recurs frequently throughout the story—whenever the narrator raises an opinion, John silences her.
As a result, she descends into madness, going so far as to imagine someone hiding behind the wallpaper.
None of his instructions cure her; instead, his iron fist stifles her. The horror of this story is that the narrator must lose herself to understand herself. Everything she writes is in one or two sentence increments and she often signs off when she sees her husband approaching.
Readers can ascertain that her nervous condition may be the result of postpartum depression. She remembers terrifying herself with imaginary nighttime monsters as a child, and she enjoys the notion that the house they have taken is haunted.
Despite her fear of getting caught, the narrator continues to write, recognizing that this solitary practice is her only source of power.
The narrator even begins to think so herself. Notice the irony as John asks the narrator to take care of herself, when in fact his very treatment of her—his prescriptions, his isolating her, and his complete oppression of her every choice—has caused her to descend into madness.Introducing Jane DoeThe first line of “The Yellow Wallpaper” does double duty, introducing both the setting of the story—a home for someone else’s ancestors—and the story’s narrator: Dr.
EvilNo, he's not a cryogenically frozen mastermind with a bald head and a bald cat to match.
Character Analysis in The Yellow Wallpaper The Unnamed Narrator: Charlotte Perkins Gilman presents subtle clues to help readers determine the identity of the unnamed narrator. Reader can infer that the narrator is an upper-class married woman who just gave birth to a baby boy.
There are only four characters in “The Yellow Wallpaper”: the narrator, her husband, and two of their servants. The story’s short length precludes the complex character background and. Character Analysis Essay English Rodems February 7, The Yellow Wallpaper Many people deal with post-traumatic depression and it.
The narrator of “The Yellow Wallpaper” is a paradox: as she loses touch with the outer world, she comes to a greater understanding of the inner reality of her life. This inner/outer split is crucial to understanding the nature of the narrator’s suffering. At.
The Yellow Wallpaper Questions and Answers. The Question and Answer section for The Yellow Wallpaper is a great resource to ask questions.Download